“Soundsystem” arrived in 1999 before the group switched to label Volcano Records for their sixth studio album “From Chaos”, which was issued in 2001. Subsequently the modern rockers released the album “Transistor” in 1997, a platinum selling release, which led to the the album “Live” cataloging 311’s live shows. 12 on the Billboard 200, helped by the singles “All Mixed Up” and “Down” eventually selling over three million copies in the U.S.ģ11’s 1996 was consumed by nonstop, relentless touring, which the band showed off with their live home video “Enlarged to Show Detail”. The band began honing their skills, performing in the local area before moving to Los Angeles, California and signing with Capricorn Records in 1991.ĭuring the 1990s, 311 released a string of albums including the well-received “Music” in 1992, “Grassroots” in 1993, and 1995’s eponymously-titled album, otherwise known as “The Blue Album”. That guitarist, Jim Watson, departed the group shortly after the band's conception and was replaced by Tim Mahoney.
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He has since edited a wide variety of material including music videos, commercials, and most recently a 10-episode docu-series about big-wave surfing.Formed of vocalist/guitarist Nick Hexum, lead guitarist Jim Watson, bassist Aaron “P-Nut” Wills, and drummer Chad Sexton, the band derived their name from the Omaha Police Department’s code for indecent exposure after the band’s original guitarist was arrested for streaking.
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Following a successful stint as a professional inline skater where B Love was an X Games gold medalist, he launched a career in video editing and production.
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During the band’s first years, B Love was able to get 311’s music included in his pro inline skating videos, which provided 311’s music early exposure worldwide, and resulted in a long, close relationship with the band to this day.
A die-hard 311 fan since 1994, B Love has seen nearly 200 311 shows. In addition to editing Enlarged to Show Detail 3, Brandon (aka “B Love”) has edited several videos and short films for 311 including the video for the band’s single "Five of Everything” (from the Stereolithic album) and the behind-the-scenes making of the "Too Much To Think” video (from the Mosaic album). The result is a truly unique film that is made honestly with love by both the band and the fans. As a final tip of the hat towards the fan involvement in creating this film, Wayne deferred almost all of the editorial decision making to longtime 311 community member, Brandon “B Love” Hardin. Many of these interviews with fans are not only featured in the film, but provide the driving narrative. Inspired by what he saw as a huge fan family, he laid down the roots of what has now become ETSD3 by asking a cross section of longtime 311 fans to express their POV on the community, and how it has affected their lives. Wayne is inspired by community, and focuses on stories and images that shed light on the human need for connection. He’s captured intimate footage with the band and performances from several 311 Days and 311 Cruises, and helped orchestrate a unique crew of fan filmers to capture the bands performance of “Transistor” at the PowWow Festival in 2011. Wayne used to manage 311’s website in the early 2000’s, sparking a friendship that led to the band inviting him to film video from their concerts and events. Wayne has has shot and directed 100+ short music films with the likes of Mark Ronson, Brazilian Girls, The Roots, Norah Jones, Mumford and Sons, Chris Isaak and The Bonnaroo and Outside Lands Music Festivals. In addition to Enlarged to Show Detail 3, Wayne Price, an accomplished filmmaker and photographer, has directed two feature films, The Doorman (2008) and Heartworn Highways Revisited (2017). A film by Wayne Price & Brandon “B Love” HardinĮxecutive Producers: Peter Katsis, Adam Raspler, Peter Raspler, Joel Mark
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